Editorial.
Vèrtex is observe, it’s form, it’s process, it’s tangible and it’s digital.
Vèrtex arises from the need to change the leading roles in a world where the shapes and structures that make up the tangibility are made invisible by their use or their presence in space-time.
Vèrtex proposes two publications that reflect on a new concept called Antipictogram, which defines another way of understanding and representing the world: The first, called Memorium, shows the research process, the manifesto, the formal process and the results on this proposal representative. The second presents the results in Mostrarium mode of all these translations and interpretations of tangible reality.
Vèrtex aims to be a point of attention, an attraction that encourages the reader to see what surrounds us with other glasses.
